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Nobody has any doubt that valve amplifiers produce a remarkably beautiful sound. They have a lively, deep, clear, and expressive sound, and dynamically they do not appear to have any limitations. The author investigates, in a systematic theoretical approach, the reasons for these beautiful properties. He develops new models for power valves and transformers, thus enabling the designer to determine the properties of the amplifier during the design process. Mathematical models for the coupling of power valve(s) and output transformer are provided. These will generate new insights in a special kind of distortion: the dynamic damping factor distortion (DDFD). With mathematical models in the complex domain, especially the properties at the limits of our hearing range (from 20 Hz to 20 kHz) are investigated and the minimal stability criteria for the amplifier are formulated. The often-applied negative feedback in amplifiers is extensively modelled and discussed in relation to our hearing appreciating. And after all this theory a fine selection of special amplifiers is presented and discussed. You will notice in this book that the author not only writes about amplifier technique, but tells about the way the development of valve amplifiers can have an influence on your daily life; even the usefulness of patents is discussed. Summarizing: new theories and solutions for perfect audio with valve amplifiers. Not only the professional and the DIY-er but everyone who wants to understand valve amplifiers will read this book with much pleasure.

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Valve Amplifiers are regarded by many to be the ne plus ultra when it comes to processing audio signals. The combination of classical technology and modern components has resulted in a revival of the valve amplifier. The use of toraidal-core output transformers, developed by the author over the past 15 years, has contributed to this revival. The most remarkable features of these transformers are their extremely wide frequency ranges and their very low levels of linear and nonlinear distortion. This book explains the whys and wherefores of toroidal output transformers at various technical levels, starting with elementary concepts and culminating in complete mathematical descriptions. In all of this, the interactions of the output valves, transformer and loudspeaker form the central theme. Next come the practical aspects. The schematic diagram of a valve amplifier often appears to be very simple at first glance, but anyone who has built a modern valve amplifier knows that a lot of critical details are hidden behind this apparent simplicity. These are discussed extensively, in connection with designs for amplifiers with output powers ranging from 10 to 100 watts. Finally, the author gives some attention to a number of special valve amplifiers, and to the theory and practice of negative feedback. In summary, this book offers innovative solutions for achieving perfect audio quality. Do-it-yourself builders, as well as persons who want to gain a deeper technical understanding of the complex world of audio transformers, valve amplifiers and audio signal processing, will find this book a rich and useful source of information.

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Some Highlights from the contents Surround-sound decoder Compact amp Sampling rate converter Battery powered preamplifier Titan 2000 amplifier Crescendo Millennium amplifier Audio-DAC/ADC IR-S/PDFI receiver and transmitter High-End Power Amp Hi-fi Wireless Headset Paraphase Tone Control and more… Using Adobe Reader you are able to browse and search the articles on your computer, as well as print texts, circuit diagrams and PCB layouts.

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The State of Hollow State Audio in the Second Decade of the 21st Century Vacuum-tube (or valve, depending upon which side of the pond you live on) technology spawned the Age of Electronics early in the 20th Century. Until the advent of solid-state electronics near mid-century, hollow-state devices were the only choice. But following the invention of the transistor (after their process fell to reasonable levels), within a couple of decades, the death of vacuum tubes was widely heralded. Yet here we are some five decades later, and hollow-state equipment is enjoying something of a comeback, especially in the music and high-end audio industries. Many issues surround hollow-state audio: Does it produce—as some claim—better sound? If so, is there science to back up these claims? How do hollow-state circuits work? How do you design hollow-state audio circuits? If hollow-state equipment fails, how do you go about troubleshooting and repairing it? Can we recreate some of the classic hollow-state audio devices for modern listening rooms and recording studios? How can we intelligently modify hollow-state amplifiers to our taste? These and other topics are covered in The State of Hollow State Audio.

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Elevate your audio experience with the Douk Audio P6 mini Tube Preamplifier, a perfect blend of modern connectivity, HiFi sound quality, and vintage charm. Whether you're an audiophile or just starting your journey into high-quality audio, this compact yet powerful preamp offers everything you need. Features Versatile Connectivity: Supports Bluetooth 5.0, USB (U-Disk), and RCA connections, making it compatible with a wide range of devices such as phones, TVs, tablets, projectors, and computers. Plays lossless audio formats (APE, FLAC, WAV, WMA) and MP3 directly from USB. HiFi Warm Sound: The 6A2 tube delivers rich, warm, and sweet tones, enhancing your listening experience. Upgradeable to various tubes (6*1N, JAN5725W, 6AK5, EF95) for personalized sound profiles. Customizable Sound: Independent treble and bass knobs allow precise tone adjustments, while the main volume control ensures seamless output. User-Friendly Design: Easily switch inputs with the selector and LED indicators – no need to reconnect cables repeatedly. Premium Build and Aesthetic: CNC-machined black aluminum alloy chassis for durability, complemented by a vintage orange tube glow for a stylish and nostalgic appeal. Specifications Audio input Bluetooth 5.0 / USB (U-Disk) / Stereo RCA Audio output Stereo RCA Maximum capacity U-disk supported 64 GB Highest sampling rate U-disk supported 24 Bit/192 K (FAT32) Formats U-disk supported MP3/APE/FLAC/WAV/WMA Treble/bass range ±6 dB Frequency response 20 Hz-20 kHz (±1 dB) Distortion ≤0.03% RCA input sensitivity 0 dBFS/1 V SNR ≥100 dB Working voltage DC 12 V Dimensions 97 x 118 x 33 mm Weight 337 g Included 1x Douk Audio P6 mini Tube Preamp 2x 6A2 Tube 1x Bluetooth Antenna 1x Power Adapter (12 V DC) 1x Manual

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Easy and Affordable Digital Signal Processing The aim of this book is to teach the basic principles of Digital Signal Processing (DSP) and to introduce it from a practical point of view using the bare minimum of mathematics. Only the basic level of discrete-time systems theory is given, sufficient to implement DSP applications in real time. The practical implementations are described in real time using the highly popular ESP32 DevKitC microcontroller development board. With the low cost and extremely popular ESP32 microcontroller, you should be able to design elementary DSP projects with sampling frequencies within the audio range. All programming is done using the popular Arduino IDE in conjunction with the C language compiler. After laying a solid foundation of DSP theory and pertinent discussions on the main DSP software tools on the market, the book presents the following audio-based sound and DSP projects: Using an I²S-based digital microphone to capture audio sound Using an I²S-based class-D audio amplifier and speaker Playing MP3 music stored on an SD card through an I²S-based amplifier and speaker Playing MP3 music files stored in ESP32 flash memory through an I²S-based amplifier and speaker Mono and stereo Internet radio with I²S-based amplifiers and speakers Text-to-speech output with an I²S-based amplifier and speaker Using the volume control in I²S-based amplifier and speaker systems A speaking event counter with an I²S-based amplifier and speaker An adjustable sinewave generator with I²S-based amplifier and speaker Using the Pmod I²S2 24-bit fast ADC/DAC module Digital low-pass and band-pass real-time FIR filter design with external and internal A/D and D/A conversion Digital low-pass and band-pass real-time IIR filter design with external and internal A/D and D/A conversion Fast Fourier Transforms (FFT)

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Jan Didden created Linear Audio in 2010 and published 14 Volumes between 2010 and 2017. Each 200-page Volume contains on average 10 articles by expert authors in the field of audio, acoustics, and instrumentation. Whether you are interested in tube amplifiers, solid-state equipment, loudspeaker design, capacitor and resistor distortion or distortion measurement, you are certain to find helpful advice and interesting discussions. From beginner to advanced level, for the audio professional or the serious hobbyist, this ExpertCollection will advance your understanding and offer new perspectives on common issues. Bonus material included with this collection is a 5-part YouTube series on negative feedback as applied to audio by renowned author Jan Didden, and nine additional landmark audio articles and presentations. If you are seriously interested in audio, acoustics, and instrumentation, you can’t afford to miss this! The published material is indexed and fully searchable and will provide an almost limitless resource for many years to come. You can read about Linear Audio’s authors, and the Table of Contents of each Volume, at linearaudio.net.

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The QA403 is QuantAsylum's fourth-generation audio analyzer. The QA403 extends the functionality of the QA402 with improved noise and distortion performance, in addition to a flatter response at band edges. The compact size of the QA403 means you can take it just about anywhere. Features 24-bit ADC/DAC Up to 192 kSPS Fully isolated from PC Differential Input/Output USB powered Built-in Attenuator Fast Bootup and Driverless The QA403 is a driverless USB device, meaning it’s ready as soon as you plug it in. The software is free and it is quick and easy to move the hardware from one machine to the next. So, if you need to head to the factory to troubleshoot a problem or take the QA403 home for a work-from-home day, you can do it without hassle. No-Cal Design The QA403 comes with a factory calibration in its flash memory, ensuring consistent unit-to-unit performance. On your manufacturing line you can install another QA403 and be confident what you read on one unit will be very similar to the next unit. It is not expected that re-calibration will be required at regular intervals. Measurements Making basic measurements is quick and easy. In a few clicks you will understand the frequency response, THD(+N), gain, SNR and more of your device-under test. Dynamic Range The QA403 offers 8 gain ranges on the input (0 to +42 dBV in 6 steps), and 4 gain ranges on the output (-12 to +18 dBV in 10 dB steps). This ensures consistent performance over very wide ranges of input and output levels. The maximum AC input to the QA403 is +32 dBV = 40 Vrms. The maximum DC is ±40 V, and the maximum ACPEAK + DC = ±56 V. Easy Programmability The QA403 supports a REST interface, making it easy to automate measurements in just about any language you might anticipate. From Python to C++ to Visual Basic—if you know how to load a web page in your favorite language, you can control the QA403 remotely. Measurements are fast and responsive, usually with dozens of commands being processed per second. Isolated and USB Powered The QA403 is isolated from the PC, meaning you are measuring your DUT and not chasing some phantom ground loop. The QA403 is USB powered, like nearly all our instruments. If you are setting up remotely, throw a powered hub in your bag and your entire test setup can be running with a minimum of cables. Goodbye Soundcard, Hello QA403 Tired of trying to make a soundcard work? The calibration nightmare? The lack of gain stages? The limited drive? Are you tired of dealing with the fixed input ranges? The worry that you might destroy it with too much DC or AC? Tired of the ground loops? That’s why QuantAsylum built the QA403. Specifications Dimensions 177 x 44 x 97 mm (W x H x D) Weight 435 g Case Material Powder-coating Aluminum (2 mm thick front panel, 1.6 mm thick top/bottom) Downloads Datasheet Manual GitHub

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The intention of this book is to offer the reader understandings, ideas and solutions from the perspective of a workbench technician and electronics hobbyist. It is a descriptive text with many tables of useful data, servicing tips and supplementary notes of not so common knowledge. Today there is a re-emerging, nostalgic interest in vinyl records and associated music entertainment gear. With this interest, there is a paralleled market for the repair of this gear. This ‘hands-on’ servicing guide opens with fundamental considerations of the work space of repair and servicing. This includes a comprehensive discussion of essential test equipment and tools. Two chapters are devoted to obtaining servicing information about repair and obtaining spare parts. A key chapter is on general diagnosis and testing and includes the discussion of resistance, capacitance and inductance. These electrical properties are regularly in the mind of the repairer, so understanding of them is a key objective of this book. The next chapter is about time saving repair techniques and ensuring quality repair. The remaining chapters discuss entertainment equipment itself. Each of the chapters begins with an orderly discussion of the theory of operation and common and not so common problems specific to the equipment. All chapters conclude with a summary.

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The Elektor Audio DSP FX Processor combines an ESP32 microcontroller and an ADAU1701 Audio DSP from Analog Devices. Besides a user-programmable DSP core, the ADAU1701 has high-quality analog-to-digital and digital-to-analog converters built-in and features an I²S port. This makes it suitable as a high-quality audio interface for the ESP32. Programs for the ESP32 can be created with Arduino, Platform IO, CMake or by using the Espressif IDF in another way. Programs for the ADAU7101 audio DSPs are created with the free visual programming tool SigmaStudio by dragging and dropping pre-defined algorithm blocks on a canvas. Applications Bluetooth/Wi-Fi audio sink (e.g. loudspeaker) & source Guitar effect pedal (stomp box) Music synthesizer Sound/function generator Programmable cross-over filter for loudspeakers Advanced audio effects processor (reverb, chorus, pitch shifting, etc.) Internet-connected audio device DSP experimentation platform Wireless MIDI MIDI to CV converter and many more... Specifications ADAU1701 28-/56-bit, 50-MIPS digital audio processor supporting sampling rates of up to 192 kHz ESP32 32-bit dual-core microcontroller with Wi-Fi 802.11b/g/n and Bluetooth 4.2 BR/EDR and BLE 2x 24-bit audio inputs (2 V RMS, 20 kΩ) 4x 24-bit audio outputs (0.9 V RMS, 600 Ω) 4x Control potentiometer MIDI in- and output I²C expansion port Multi-mode operation Power supply: 5 V DC USB or 7.5-12 V DC (barrel jack, center pin is GND) Current consumption (average): 200 mA Included 1x ESP32 Audio DSP FX Processor board (assembled) 1x ESP32-PICO-KIT 2x Jumpers 2x 18-pin headers (female) 4x 10 KB potentiometers Downloads Documentation GitHub

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Easy and Affordable Digital Signal ProcessingThe aim of this book is to teach the basic principles of Digital Signal Processing (DSP) and to introduce it from a practical point of view using the bare minimum of mathematics. Only the basic level of discrete-time systems theory is given, sufficient to implement DSP applications in real time. The practical implementations are described in real time using the highly popular ESP32 DevKitC microcontroller development board. With the low cost and extremely popular ESP32 microcontroller, you should be able to design elementary DSP projects with sampling frequencies within the audio range. All programming is done using the popular Arduino IDE in conjunction with the C language compiler.After laying a solid foundation of DSP theory and pertinent discussions on the main DSP software tools on the market, the book presents the following audio-based sound and DSP projects: Using an I²S-based digital microphone to capture audio sound Using an I²S-based class-D audio amplifier and speaker Playing MP3 music stored on an SD card through an I²S-based amplifier and speaker Playing MP3 music files stored in ESP32 flash memory through an I²S-based amplifier and speaker Mono and stereo Internet radio with I²S-based amplifiers and speakers Text-to-speech output with an I²S-based amplifier and speaker Using the volume control in I²S-based amplifier and speaker systems A speaking event counter with an I²S-based amplifier and speaker An adjustable sinewave generator with I²S-based amplifier and speaker Using the Pmod I²S2 24-bit fast ADC/DAC module Digital low-pass and band-pass real-time FIR filter design with external and internal A/D and D/A conversion Digital low-pass and band-pass real-time IIR filter design with external and internal A/D and D/A conversion Fast Fourier Transforms (FFT)

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You could use Pirate Audio Headphone Amp to build a tidy, pocket-sized player for local audio files (MP3, FLAC, etc) or for streaming music from online services like Spotify. To help get you started, Pimoroni has built plugins for Mopidy that will let you display gorgeous album art, play/pause your tracks and adjust the volume. The DAC and headphone amp will give you crisp digital amplified audio through your wired headphones. Pirate Audio is a range of all-in-one audio boards for Raspberry Pi, with high-quality digital audio, beautifully-crisp IPS displays for album art, tactile buttons for playback control, and a custom Pirate Audio software and installer to make setting it all up a breeze. Features Amplified digital audio (24-bit / 192KHz) over I2S PAM8908 headphone amplifier chip Low-gain / high-gain switch (high-gain boosts by 12dB) PCM5100A DAC chip 3.5mm stereo jack 1.3' IPS colour LCD (240x240px) (ST7789 driver) Four tactile buttons Mini HAT-format board Fully-assembled Compatible with all 40-pin header Raspberry Pi models Dimensions: 65x30.5x9.5mm Software The Pirate Audio software and installer installs the Python library for the LCD, configures the I2S audio and SPI, and then installs Mopidy and the custom Pirate Audio plugins to display album art and track info, and to use the buttons for playback control. Here's how to get started: Set an SD card up with the latest version of Raspberry Pi OS. Connect to Wi-Fi or a wired network. Open a terminal and type the following:git clone https://github.com/pimoroni/pirate-audiocd pirate-audio/mopidysudo ./install.sh Reboot your Pi Downloads PAM8908 Datasheet PCM5100A Datasheet Pirate Audio software

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