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More than 475 Audio Circuits from 30 Years of Elektor This USB Stick contains over 475 different audio circuits from the volumes 1995-2025 of Elektor. The article search feature allows you to search full-text content. The results are always displayed as pre-formatted PDF documents. Highlights Surround-sound decoder Compact amp Sampling rate converter Battery powered preamplifier Titan 2000 amplifier Crescendo Millennium amplifier Audio-DAC/ADC IR-S/PDFI receiver and transmitter High-End Power Amp Hi-fi Wireless Headset Paraphase Tone Control and more… On the Stick you will also find a folder with additional material such as PCB layouts, Gerber files and software. Specifications Storage 16 GB Interfaces 1x USB-A1x USB-C System requirements PC with Adobe Reader 7.0 or higher Web browser

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Jan Didden created Linear Audio in 2010 and published 14 Volumes between 2010 and 2017. Each 200-page Volume contains on average 10 articles by expert authors in the field of audio, acoustics, and instrumentation. Whether you are interested in tube amplifiers, solid-state equipment, loudspeaker design, capacitor and resistor distortion or distortion measurement, you are certain to find helpful advice and interesting discussions. From beginner to advanced level, for the audio professional or the serious hobbyist, this ExpertCollection will advance your understanding and offer new perspectives on common issues. Bonus material included with this collection is a 5-part YouTube series on negative feedback as applied to audio by renowned author Jan Didden, and nine additional landmark audio articles and presentations. If you are seriously interested in audio, acoustics, and instrumentation, you can’t afford to miss this! The published material is indexed and fully searchable and will provide an almost limitless resource for many years to come. You can read about Linear Audio’s authors, and the Table of Contents of each Volume, at linearaudio.net.

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Elektor GREEN and GOLD members can download their digital edition here. Not a member yet? Click here. PbMonitor v2.0 UpdateBattery Monitoring with Improved Analog Design Audio Latency MeasurementA Standalone Tool for Evaluating Errors and Latency in Audio Transmission Square Wave vs. Bode PlotChecking the Performances of an Audio Device embedded world 2026 Clever Coding with AIAI in Software Development for Electronics Engineers QA403 Audio AnalyzerAffordable Precision for Audio Professionals and Hobbyists EasyGimbalAutonomous Camera Tracking with AI, Stepper and Servo Motors Sigfox Breakout Board (2)Sending Messages Circuit ProtectionControlling Overvoltages with TVS Diodes Emerging Battery Testing ApproachesA New Era of Diagnostics AudiotronicsA First Preamplifier CANopenTermAn Open-Source Tool That Brings CAN to Makers and Engineers Alike Stabilization of Operational AmplifiersAvoiding Feedback Instability Err-lectronicsCorrections, Updates, and Readers’ Letters Signal ConditioningTips and Tricks to Fit Voltage Ranges TDR Attachment for OscilloscopesLength, Short Circuit, Mismatch: Measure Cables Using Reflections! From Life's ExperienceLED It Be Speaker Oscillator and Resonance TesterA Fully Experimental Project for Your Speakers Elektor Community Perspectives on Test and Measurement ESP32 Audio Transceiver Board (Part 5)Audio Processing and Remote Control 2026: An AI OdysseyAI Has a Context Problem Battery Storage for Balcony Power PlantsSmall Batteries, Big Impact

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Easy and Affordable Digital Signal ProcessingThe aim of this book is to teach the basic principles of Digital Signal Processing (DSP) and to introduce it from a practical point of view using the bare minimum of mathematics. Only the basic level of discrete-time systems theory is given, sufficient to implement DSP applications in real time. The practical implementations are described in real time using the highly popular ESP32 DevKitC microcontroller development board. With the low cost and extremely popular ESP32 microcontroller, you should be able to design elementary DSP projects with sampling frequencies within the audio range. All programming is done using the popular Arduino IDE in conjunction with the C language compiler.After laying a solid foundation of DSP theory and pertinent discussions on the main DSP software tools on the market, the book presents the following audio-based sound and DSP projects: Using an I²S-based digital microphone to capture audio sound Using an I²S-based class-D audio amplifier and speaker Playing MP3 music stored on an SD card through an I²S-based amplifier and speaker Playing MP3 music files stored in ESP32 flash memory through an I²S-based amplifier and speaker Mono and stereo Internet radio with I²S-based amplifiers and speakers Text-to-speech output with an I²S-based amplifier and speaker Using the volume control in I²S-based amplifier and speaker systems A speaking event counter with an I²S-based amplifier and speaker An adjustable sinewave generator with I²S-based amplifier and speaker Using the Pmod I²S2 24-bit fast ADC/DAC module Digital low-pass and band-pass real-time FIR filter design with external and internal A/D and D/A conversion Digital low-pass and band-pass real-time IIR filter design with external and internal A/D and D/A conversion Fast Fourier Transforms (FFT)

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A Toolbox for Audio Lovers and Engineers Without any ambition to reach scientific levels, this book aims to be a toolbox for both audio lovers and high-end equipment designers. The elementary theory presented is the bare minimum for readers to grasp the operation and practical use of electrical, electromagnetic, physics, and electronic operations available in the designers’ toolbox. Each tool is explained in a minimum of words and theory without needless coverage of underlying equations or figures. The book chapters guide you through the process of designing quality amplifiers with vacuum tubes, from the very beginning, considering both technical and subjective requirements – in theory and practice. The book is a compilation of the author’s notes used in his professional and educational career but was nevertheless primarily written as a result of true love for the audiophile hobby.

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The author, Johan Basse Bergqvist, is an engineer, a musician, and an audiophile with a knack for building projects that produce the desired results. The combination of these skills leads to a uniquely valuable perspective on audio design that is routinely reflected in the book and passed on to the readers. Several design projects are provided, 40 in total. The designs are explained, and the unique features or methods he uses are described in further detail. Each design includes detailed schematics and a complete parts list. Many of the projects also include layout documentation in the form of CAD photos of the PCB layouts. The range of projects is very diverse and includes something that will appeal to everyone. Stereo amplifiers, guitar and bass amplifiers, preamplifiers for phono, and microphones are all covered. Several variants for each type are included, and the power amplifier designs range from a few watts to several hundred watts, which meet almost any power level you might tackle.

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All you need to know about good acoustics and sound systems in performance and worship spaces! Everyone knows that the ability to hear music in balance and to understand speech is essential in any space used for performance or worship. Unfortunately, in the early 21st century, we find that buildings with good acoustics are the exception rather than the rule. Much of the fault leading to this result can be traced to the widespread perception that acoustics is a black art. In fact, scientific acoustics as developed in the last century is a well-defined engineering practice that can lead to predictable excellent results. A basic, non-engineering understanding of acoustics will help building owners, theater managers, ministers and teachers of music, performers, and other professionals to achieve their goals of excellent acoustics in venues with which they work. Performers having a basic understanding of acoustics will be able to make the most of the acoustics of the venue in which they perform. This book helps those responsible for providing good acoustics in performance and worship spaces to understand the variables and choices entailed in proper acoustic design for performance and worship. Practicing acoustical consultants will find the book a useful reference as well. The level of presentation is comfortable and straightforward without being simplistic. If correct acoustical principles are incorporated into the design, renovation, and maintenance of performance and worship venues, good acoustics will be the result.

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The State of Hollow State Audio in the Second Decade of the 21st Century Vacuum-tube (or valve, depending upon which side of the pond you live on) technology spawned the Age of Electronics early in the 20th Century. Until the advent of solid-state electronics near mid-century, hollow-state devices were the only choice. But following the invention of the transistor (after their process fell to reasonable levels), within a couple of decades, the death of vacuum tubes was widely heralded. Yet here we are some five decades later, and hollow-state equipment is enjoying something of a comeback, especially in the music and high-end audio industries. Many issues surround hollow-state audio: Does it produce—as some claim—better sound? If so, is there science to back up these claims? How do hollow-state circuits work? How do you design hollow-state audio circuits? If hollow-state equipment fails, how do you go about troubleshooting and repairing it? Can we recreate some of the classic hollow-state audio devices for modern listening rooms and recording studios? How can we intelligently modify hollow-state amplifiers to our taste? These and other topics are covered in The State of Hollow State Audio.

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Nobody has any doubt that valve amplifiers produce a remarkably beautiful sound. They have a lively, deep, clear, and expressive sound, and dynamically they do not appear to have any limitations. The author investigates, in a systematic theoretical approach, the reasons for these beautiful properties. He develops new models for power valves and transformers, thus enabling the designer to determine the properties of the amplifier during the design process. Mathematical models for the coupling of power valve(s) and output transformer are provided. These will generate new insights in a special kind of distortion: the dynamic damping factor distortion (DDFD). With mathematical models in the complex domain, especially the properties at the limits of our hearing range (from 20 Hz to 20 kHz) are investigated and the minimal stability criteria for the amplifier are formulated. The often-applied negative feedback in amplifiers is extensively modelled and discussed in relation to our hearing appreciating. And after all this theory a fine selection of special amplifiers is presented and discussed. You will notice in this book that the author not only writes about amplifier technique, but tells about the way the development of valve amplifiers can have an influence on your daily life; even the usefulness of patents is discussed. Summarizing: new theories and solutions for perfect audio with valve amplifiers. Not only the professional and the DIY-er but everyone who wants to understand valve amplifiers will read this book with much pleasure.

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All you need to know about good acoustics and sound systems in performance and worship spaces! Everyone knows that the ability to hear music in balance and to understand speech is essential in any space used for performance or worship. Unfortunately, in the early 21st century, we find that buildings with good acoustics are the exception rather than the rule. Much of the fault leading to this result can be traced to the widespread perception that acoustics is a black art. In fact, scientific acoustics as developed in the last century is a well-defined engineering practice that can lead to predictable excellent results. A basic, non-engineering understanding of acoustics will help building owners, theater managers, ministers and teachers of music, performers, and other professionals to achieve their goals of excellent acoustics in venues with which they work. Performers having a basic understanding of acoustics will be able to make the most of the acoustics of the venue in which they perform. This book helps those responsible for providing good acoustics in performance and worship spaces to understand the variables and choices entailed in proper acoustic design for performance and worship. Practicing acoustical consultants will find the book a useful reference as well. The level of presentation is comfortable and straightforward without being simplistic. If correct acoustical principles are incorporated into the design, renovation, and maintenance of performance and worship venues, good acoustics will be the result.

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