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The author, Johan Basse Bergqvist, is an engineer, a musician, and an audiophile with a knack for building projects that produce the desired results. The combination of these skills leads to a uniquely valuable perspective on audio design that is routinely reflected in the book and passed on to the readers. Several design projects are provided, 40 in total. The designs are explained, and the unique features or methods he uses are described in further detail. Each design includes detailed schematics and a complete parts list. Many of the projects also include layout documentation in the form of CAD photos of the PCB layouts. The range of projects is very diverse and includes something that will appeal to everyone. Stereo amplifiers, guitar and bass amplifiers, preamplifiers for phono, and microphones are all covered. Several variants for each type are included, and the power amplifier designs range from a few watts to several hundred watts, which meet almost any power level you might tackle.

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A Toolbox for Audio Lovers and Engineers Without any ambition to reach scientific levels, this book aims to be a toolbox for both audio lovers and high-end equipment designers. The elementary theory presented is the bare minimum for readers to grasp the operation and practical use of electrical, electromagnetic, physics, and electronic operations available in the designers’ toolbox. Each tool is explained in a minimum of words and theory without needless coverage of underlying equations or figures. The book chapters guide you through the process of designing quality amplifiers with vacuum tubes, from the very beginning, considering both technical and subjective requirements – in theory and practice. The book is a compilation of the author’s notes used in his professional and educational career but was nevertheless primarily written as a result of true love for the audiophile hobby.

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A Toolbox for Audio Lovers and Engineers Without any ambition to reach scientific levels, this book aims to be a toolbox for both audio lovers and high-end equipment designers. The elementary theory presented is the bare minimum for readers to grasp the operation and practical use of electrical, electromagnetic, physics, and electronic operations available in the designers’ toolbox. Each tool is explained in a minimum of words and theory without needless coverage of underlying equations or figures. The book chapters guide you through the process of designing quality amplifiers with vacuum tubes, from the very beginning, considering both technical and subjective requirements – in theory and practice. The book is a compilation of the author’s notes used in his professional and educational career but was nevertheless primarily written as a result of true love for the audiophile hobby.

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This book focuses more on practical aspects than on theory, and it has an contemplative nature, as though the author were viewing amplifiers from above. Knowledge elements are integrated and placed in the context of a broad overview. Even now tube amplifiers still sound great perhaps better than ever before. In part that is because we now have access to modern components such as toroidal output transformers, extremely high-quality resistors and capacitors, and many sorts of wire with good acoustic properties. Modern audio sources, such as CD players, and the latest top-end loudspeakers also enable us to appreciate how well tube amplifiers reproduce music even better than before. This new book from Menno van der Veen looks at tube amplifiers from more than just a theoretical perspective. It focuses primarily on the design phase, where decisions must be taken with regard to the purpose and requirements of the amplifier, and it addresses the following questions: How do these aspects relate to subjective and objective criteria? Which circuits sound the best, and why? If you want to develop and market an amplifier, what problems should you expect? What are the significance and meaning of measurements? Are they still meaningful, or have they lost their relevance? Thanks to the enormous processing power of computers, we can now measure more details than ever before. How can these new methods be applied to tube amplifiers? Previously it was sufficient to measure the frequency range, power and distortion of an amplifier in order to characterize the amplifier. Are these measurements still sufficient, or should we start measuring according to how we hear, using real music signals instead of waveforms from signal generators? The author sketches a future where amplifier measurements that conform to our sense of hearing enable us to arrive at new insights. This book focuses more on practical aspects than on theory, and it has an contemplative nature, as though the author were viewing amplifiers from above. Knowledge elements are integrated and placed in the context of a broad overview.

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